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What do I look for in buying an accordion?
If you are looking for a button accordion, obviously you are going to get the accordion with buttons on both sides. For a keyboard accordion, get the one with the keyboard on the right side of the accordion.
 

Accordions tend to be pricey. If you are not sure you are going to commit, get a student-sized 120-bass accordion. This is smaller than professional accordions, but at least you aren't going to spend $10,000 on something you'll be playing for a few months.

 

If you are a TRUE beginner (as in you've never ever ever ever played before) we recommend that you get a 12-bass accordion. It's very tiny, yes, especially for an adult, but it's not going  to cost you as much and it's an easier instrument to learn with. If you are definitely going to commit to the accordion I strongly recommend getting a professional-size accordion with 120 basses.

 

Types of Accordions

Accordions come in many different styles and key-note systems. We have listed the main generic types of accordions, along with their specifications. It must be noted, however, that there have been many custom-made accordions and innovations which are not listed in this section.


These pages are for people wanting to learn more about the many different types of accordions, and how they work.

 

Piano Accordions

The piano accordion is the most popular as we described it on our home page. Piano accordions usually range from 12 bass, 20 key up to 160 bass, 45 key, but there are smaller and larger designs also.
 

Piano accordions are essentially the same as a chromatic accordion, except for a different shape to the keyboard notes and piano keyboard layout. Because of its universal note system the production of piano accordions has far exceeded that of any kind of button accordion from the 1920's until today.

 

Diatonic or Button Accordions

The first diatonic accordions were made early in the 1800's. They had one row of ten buttons in the right hand. For each note on the button board there are at least two reeds (and can be up to ten) with different pitched reeds for the "in" bellows and "out" bellows. The bass notes and relevant chords are the root of the scale for the in bellows and the fifth of the scale for the out bellows.

 

Diatonics are frequently used by many folk and dance groups, because of their great sound output, simplicity, light weight and low cost. This makes them one of the most popular accordions worldwide. The note pattern of the keyboard is usually identical to the mouth harmonica.
 

Concertinas

Concertinas have a unique shape, ranging from four to twelve sides (in cross-section). Concertinas have two keyboards, one at each end of the instruments bellows. There are no fixed chords on a concertina; all of the buttons are individual notes.
 

The number of notes and systems vary so greatly that a player of one system will almost certainly not be able to pick up a concertina of a different system and play it without having to almost learn it from scratch. Each side of the instrument has its own finger, thumb or wrist strap and when in use it is usually supported on the knee. With compact size and light weight, the concertina can be visually entertaining, as players are able to move around with ease. This is one of the things that has made it very popular.
 

Chromatic Accordions

The chromatic accordion was created in the 1850's by F. Walter, when he rearranged the reeds of a Three Row Diatonic. It could play a 46 note chromatic scale. The Chromatic Button Accordion is not diatonic, and probably has the greatest range of treble notes of any accordion available today. Their size ranges from an accordion with 20 treble keys and 12 bass buttons, to the modern Chromatic Button Accordions which have up to 6 rows of treble buttons and 160 bass buttons.

 

The chromatic keyboard has more than one system. It can have anywhere between three and six rows of small round (and sometimes rectangular) keys. The fourth, fifth and sixth rows are repeats of the first three rows, to increase fingering possibilities. The two most common layouts are the B and C systems. The B system is better for technically challenging works, whereas the C system is easier to play chords and play melodic music. The six row chromatic is used almost exclusively by Yugoslav players and is also known as the Serbian accordion.

 

The bass system can be stradella, free bass or convertible between the two, the free bass facility giving an overall range of up to 11 octaves. This makes it possible to perform serious classical or contemporary works.
 

The chromatic accordion is probably most widely used in Russia. There it is called the Bayan, and the Piano Accordion is called just the Accordion.

 

 

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